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Films
Brice Marden
After a few seconds of footage
from 1968 of the artist working, this powerful film moves into 1976,
providing an intimate look at the enigmatic abstract painter, Brice
Marden. Shot in 16mm shortly after Marden's 1975 exhibition at the
Guggenheim, this film reveals, through interviews with Marden and
numerous shots of his preparations and working process, the depth
of intellectual creativity behind his works.
"Living on islands leads you to think in certain ways," says the
artist, who divided his time beween Manhattan and Hydra, Greece.
We see how notebook sketches and ideas were transformed into artwork,
or serve simply as inspiration. We see Marden using sandpaper, beeswax
rubbed into paper with a razorblade, and graphite stick to create
monochromatic, dense works on paper.
"You're constantly referring back to this memory of observed color,"
says Marden, embarking on a gray painting. The search for a matte
surface led to the use of wax, which he employs on canvas as well
as paper, mixing it with pigments, to create something natural.
The left-handed painter stuns and moves us with his provocative
statements. "Can you just make presence?...As you get older, you
refine and refine...I wouldn't trust a painter unless I thought
he or she was crazy in some way. And it always shows in the work."
D
I R E C T O R S : Edgar
B. Howard and Theodore R. Haimes
C O L O R , 2 2
M I N U T E S
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